Chamber
- Sleipnir I (2016) for 2 pianos, 8 hands
- Switchback (2018) for two accordions
- Cut here (2019) for flute, clarinet and violoncello
- À la boussole (2019-20) for harp, percussion and string trio basso
- Inter canem et lupum –Berceuse– (2022/23) for tenor recorder and shakuhachi
- Sleipnir II (2024) for 2 pianos, 8 hands
- Télomes –Branches II– (2024-25) for english horn, viola and piano
- Nous avons marché (2024-25) for flûte, bass clarinet, viola, violoncello and piano
- Hiyomeki I (2025) for 3 recorder headjoint players
- Holobiont (2025-26) for shakuhachi, saxophone and piano
- Hiyomeki II (2025-26) for percussion trio
Solo
Vocal
- Dé-monologue –Cinq poèmes de Ghérasim Luca– (2021-22) for soprano, flute, ensemble of 18 musicians and electronics
- Prendre corps II (2023/24) for soprano and recorders
- (K)not(s) I (2023) for soprano, electronics and light
- (K)not(s) II (2024-25) for baritone, trumpet, trombone, bass clarinet and light
- Éch(au/o)ffement (2025-26) for an indeterminate number of voices
- Le signe = (2025-26) for double mixte choir a cappella
With electronics
- Scratch (2018) for electronics
- Chiasme A (2019) for saxophone and electronics
- Dé-monologue –Cinq poèmes de Ghérasim Luca– (2021-22) for soprano, flute, ensemble of 18 musicians and electronics
- (K)not(s) I (2023) for soprano, electronics and light
- L’autre Mister Smith (2024) Site-specific sound Installation / Open-air performance piece for multiple voices and electronics
Others
Arrengement
- Japanese Folk Songs (2016) for Violin and 13-string Koto
- Asaki haru ni Yosete (2016) for Violin and 13-string Koto
- Kojo no Tsuki (2017) for Shakuhachi, 13-String Koto, VIoloncello and Piano
- Local song collection of Shizuoka Prefecture (2019-20) for mixed chorus and orchestra
- Vocalise-étude en forme de habanera (2023) for soprano saxophone and guitar
Upcoming
- New work for four baritone saxophones
- New work for piano
- New work for flute and piano
- New work for clarinet and string trio